Posts In "Talent"

Talent




Q&A: How Does Final Cut Work, and Should I Get It?

Q:  I will be directing a small feature financed by private investors.  It’s based on my script.  I want to ask for final cut, but I know only big time directors get final cut.  Anyway, I wonder if it’s something I can ask for and how final cut works.

A:  In many ways, a director without final cut is like a painter who has no right to determine what his painting looks like.  Of course, in many ways, it’s not like that — a director needs a lot of other people’s money to make a film, and a painter doesn’t.  If a studio invests tens or hundreds of millions of dollars into a picture, it only makes sense that it wants to control final cut.  That’s why only well-established directors are able to negotiate final cut on studio films.

The situation is different on small films not financed with studio money.  On those films, almost everything is negotiable, including final cut.  So you should feel free to ask for it, especially since it’s based on your script.  After all, depending on the level of creative experience of the investors and producers involved with your film, you may be the person everyone actually prefers to have final cut.  Is it really better if some guy who made a small fortune in the car wash business and who decides to “invest” some of it in a small film has final cut?

So here is how final cut generally works. Continue reading the full story . . . »




Becoming Immune to Reputation Damage: Tips from Kim Kardashian?

This blogger is proud to say that I have never watched any show featuring a member of the Kardashian family (okay, okay, unless you count their step-brother Brody Jenner…you know I could never resist The Hills).  I normally try to pretend to steer clear of anything Kardashian, as I fall into the camp of people who wonder, “why the heck is she famous, anyway?”  (Yes, that’s a rhetorical question — I know it’s because of her video debut.)  But I can’t resist writing an update about the Old Navy commercial we posted about back in March 2011.  (Extra shout-out to fellow blogger Megan Rivetti for anticipating Kim K.’s lawsuit, which wasn’t actually filed until July.)

Kim’s lawsuit claims that Old Navy and its parent company The Gap Inc. violated her right of publicity and misled and confused consumers, and seeks $15­–20 million in damages.  (For more on the right of publicity, see here; for more on consumer confusion, see here; for more on how the actress who starred in the Old Navy commercial is totally re-living Kim Kardashian’s life in other ways, see here.)  But now The Gap’s lawyers are moving in on Kim’s “private life” (and the use of air quotes has never seemed more appropriate).  Among other things, they have sought financial records that show how much stores Bebe and Sears earned by making deals with Kim and why Bebe dropped Kim, and information about “Kim Kardashian’s reputation as a singer and dancer.”   As Eriq Gardner of THR, Esq. points out, one reason The Gap may be seeking information about Kim’s business dealings is to make out an argument — often used in defamation cases — that the plaintiff is “libel-proof” because her reputation is so ruined that no additional damage could be caused.

So let’s take a look at the contours of the so-called “libel-proof” defense. Continue reading the full story . . . »




5 Important Cases You Should Watch in 2012…and 5 Totally Unimportant Cases You Might Not Be Able to Stop Watching Even if You Tried (Part 2 of 2)

This time of year, the legal press is pretty well flooded with articles summarizing the most important cases and decisions of the last year, or looking ahead to the most important cases of the coming year.  This is all well and good — indeed, just this Tuesday, I offered my own list of five important cases to watch in 2012.  But what’s the fun of spending all of one’s time following important cases, when there are so many amusingly absurd cases to watch out there instead?  In that spirit, here are five cases that may not break any legal ground in the coming year, but that you’ll still want to keep an eye on (if only to have something funny to talk about at cocktail parties). Continue reading the full story . . . »




5 Important Cases You Should Watch in 2012…and 5 Totally Unimportant Cases You Might Not Be Able to Stop Watching Even if You Tried (Part 1 of 2)

‘Tis the season.

‘Tis the season to be jolly.  ‘Tis the season to go shopping.  ‘Tis the season for political gaffes.  ‘Tis for hilarious gifting of intentionally awful presents.  Yes, ‘tis the season for lots of things, but most of all, ‘tis the season for top-ten lists.

Ten best movies.  Ten best dressed.  Ten best pet gifts.  Ten best of everything.  Ten best top-ten lists.

It seems only fitting, then, to embrace the spirit of the season, and look ahead to 2012 in obligatory list form.  But let’s mix it up a little by breaking up our list into two parts.  Today, we bring you five important cases you should watch in 2012.  On Friday, we’ll follow up with five totally unimportant trainwrecks of cases you might not be able to pry your eyes away from. Continue reading the full story . . . »




Monkey See, Monkey Sue

On behalf of Law Law Land, I would like to apologize to HBO, the New York courts, and basically, the world at large. A few months ago, my colleague Elisabeth Moriarty suggested that a creative Indonesian monkey should, perhaps, be afforded copyright rights in his adorable self-portrait. That suggestion must have angered the intellectual property gods, who have now unleashed their wrath upon the simian world. Some bozo, I recently learned, sued a cartoon ape for purported right of publicity violations and infliction of emotional distress. Rest easy, Magilla — no one is on to you for that failed bank robbery attempt. I’m talking about the lawsuit recently filed by Johnny Devenanzio… (If you are wondering who this Johnny fellow is, don’t worry, you are not alone.)

For those of you who are not MTV reality show devotees, let’s get you up to speed. Johnny got his start on the Real World Key West, a “true story…of eight strangers…picked to live in a house…work together and have their lives taped…to find out what happens…when people stop being polite…and start getting real.” Johnny then appeared on The Challenge — which used to be called The Real World-Road Rules Challenge, at least back when anyone I know cared about The Real World, or Road Rules, or any kind of challenge that might pit the two against each other — and he continued to make a fool of himself on numerous The Challengespin-offs (all of which involved copious amounts of alcohol, the occasional fist fight, and a fair amount of stupidity). These shows portrayed Johnny as an arrogant, scheming meathead who likes to stir up drama, earning him the nickname “Johnny Bananas.” (Ironically, you can also hire Johnny to give lectures on alcohol awareness, humility, and conflict resolution. That sounds like a great idea…)

Now, let’s get to the lawsuit. With a little help from lawyer Stephanie Ovadia (yes, the same lawyer who represented our beloved Lindsay Lohan in some of her most entertaining lawsuitsever), Johnny is suing the people behind the hit HBO series Entourage (R.I.P.). The lawsuit is based on a storyline involving a fictional cartoon called Johnny’s Bananas in which Kevin Dillon’s character, Johnny “Drama” Chase, lends his voice to a cartoon ape, aptly named Johnny, who tends to go “bananas” when things don’t go his way. Angered by this storyline (and likely upset after his lawyer pointed out that he has a striking resemblance — both mentally and physically — to an unattractive, hot-headed cartoon ape), the real-life Johnny is now claiming that HBO is trying to capitalize on a nickname that he “is solely responsible for creating.” (Apparently Johnny needs to brush up on his Chicago mobster trivia, as he’s not the only “Johnny Bananas” around.)

In his complaint, Johnny seeks an injunction to bar HBO, Time Warner Cable, and Entourage creator Doug Ellin from (a) distributing or broadcasting Entourage’s final season in any way, shape, or form, and (b) manufacturing and selling Johnny’s Bananas merchandise. Johnny also seeks compensatory and punitive damages for the tremendous emotional distress he suffered as a result of Entourage’s “offensive and disparaging” use of his nickname. Does Johnny have a shot at victory? Continue reading the full story . . . »




Q&A: How Do I “Dis-Attach” a Producer from My Project?

Q: How binding is a letter of intent? Nearly eight years ago, I signed a one-paragraph agreement in which I allowed a producer to attach himself to my original screenplay and shop it around. He found no takers and hasn’t submitted the script anywhere for at least five years. Now I’m thinking of reviving the project, but would prefer to do so without the producer’s involvement. Do I have any further legal or moral obligation to him? I would like to add that no money exchanged hands; the producer never actually optioned or bought my screenplay.

A: A true letter of intent is as binging as your To Do list, or at least it should be. You intend to do the things on your To Do list, but if you don’t do them you won’t get sued. The only way a letter of intent is legally binding is if it’s not truly a letter of intent. It’s not what you call something, it’s what it is. You can have a piece of paper called a letter of intent that actually contains a binding agreement or you can have something called a binding agreement that actually contains no agreement at all but just a list of non-binding things the parties intend. It seems like you have something called a letter of intent which actually contains your agreement to attach a producer to your screenplay. Continue reading the full story . . . »




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