Q: I saw a really cool short at a film school festival, and I acquired the right to remake it as a feature from the guys who made it. I later found out that the short film was based on a 1990 short story written by an obscure writer from Georgia. The filmmakers showed me a one-page agreement with the writer. The agreement gives them permission to make “one short film based on the Story” and the writer of the short story keeps all other rights. Since the filmmakers had the right to make their short and gave me the right to remake it, I should be ok without anything from the short story writer, shouldn’t I?
A: Unfortunately, no. While the filmmakers appear to have had the rights necessary to make their short film, it sounds like their right was limited to only making that one short. They did not have the right to make, or authorize others to make, a feature film. While you are indeed using the short primarily as the basis for your feature, because that short is based on the writer’s story, your feature will also be based on the writer’s story. Therefore, in order to make your feature, you need two sets of rights: (1) remake rights from the owners of the short film and (2) feature film rights from the author of the short story. It looks like you’ve already accomplished number one (but see below for possible bad news). Now it appears that you’ll have to scour the Georgia countryside looking for the obscure writer. Continue reading the full story . . . »